Space Porn Mafia

I'd love your suggestions for this pitch to Joss Whedon.  Please watch, and leave a comment on the video!

History of The Kodak

History in Hollywood takes no time to build.  The Kodak Theatre is is just over 11 years old, and was designed to be a permanent home for the Academy Awards.  Kodak's contract has them paying $75 million over 20 years for the privilege of having its name appear in guilded letters over the grand entryway to the theatre.  That's $3.75 million a year, nothing to sneeze at for a bankrupt company, and now they're looking to get out of their contract, opening up the naming rights to anyone else with a big enough wallet.

The news has created a string of discussions, online and off, pontificating over the future of the theatre, especially with the added detail that the Oscars may be looking for a new venue.  These discussions are laden with nostalgia for the theatre, its name, and its "history" as the venue for the Oscars.

Councilman Eric Garcetti is asking for suggestions for who might take over the the naming rights, and as one would expect, the suggestions put forth in tweets and comments are mostly tongue-in-cheek.

"Facebook theatre. With all the money they will get from the IPO, they will be swimming in it."

"Tinseltown Theater brought to you by Dole Pineapple."

But then somebody offers this wonderful notion:

"How about the next name sponsor demonstrate (a.) Hollywood awareness and (b.) humility and generosity, by showing they know the theatre and its large adjoining courtyard are built on the spot where the giant set was built for the silent classic, INTOLERANCE. Name the home of the Oscars the D.W. Griffith Theatre. If it can't be Kodak, at least let it be appropriate."

I have to say I love the phrase "Hollywood awareness", both for its oxymoronish nature, as well its idealism.  I dare say, I possess Hollywood awareness - that is, I am a strong advocate for the neighborhood, and am very dedicated to defending its character, and to helping improve its (already significant) quality of life in any small way I can.

The "D.W. Griffith Theatre"with its call-back to our local culture's rich, if short, history is the perfect name for the soon-to-be former Kodak Theatre, but the question is, who would pay $75 Million for it, and where does that money even go?

More articles about The Kodak and its name debate:

http://www.scpr.org/news/2012/02/01/31073/kodak-wants-its-name-kodak-theatre-and-eric-garcet/

http://www.usatoday.com/life/movies/movieawards/oscars/story/2012-02-02/kodak-theater-hollywood-oscars/52935692/1

Only in Hollywood: Catwoman Pepper Sprays Jack Sparrow

My friend posted this video to facebook with the status "watch the video. then you will understand why it's worth the arsons, winds and decapitations..."

She's speaking, of course, of Hollywood, and I agree completely. Beneath the dust created by arson fires and then kicked up by the Santa Anas that scatter about sometimes bizarre, sometimes ghastly but infrequent crimes, there lies a city dense in character and always animated with fantastically unexpected affairs.

Below is the interview that KTLA5 did with Spiderman about an alleged incident involving Catwoman, pepper spray, and Jack Sparrow.  The best surprise here is Spiderman's voice.  In full costume, he speaks to news anchor Eric Spillman, his weak, slightly lilted voice explaining the dynamics that take place between the characters on Hollywood Blvd.

Click the image to watch the video.

Here are some great tidbits:

Eric Spillman: "Other people say it was actually Ozzy Osbourne, and not the pirate . . . and what about the report we have of an alien also being involved here and that the alien and the Ozzy Osbourne character were intoxicated?"

Spiderman: "Yeah, that's true, they are best buddies."

Eric Spillman: "I did reach Catwoman by phone . . . she told me she wasn't the catwoman who pepper-sprayed here.  She says it was the crazy catwoman."